Xln Audio Mark One

Xln Audio Mark one

First they got you hooked on their drums, and now XLN Audio are pushing pianos AK has no built-in library of style-based phrases, licks, loops or other automated musical assistance — it’s all down to you and your fingers. For this initial release, three instruments are available: Note that the AK player itself is freely downloadable, it’s the instruments that you have to pay for. So is Addictive Keys just another piano sample library, adding to the terabytes of existing sampled pianos languishing on the world’s hard drives, or does it have something unique to offer?
xln audio mark one

XLN Audio Addictive Keys

First they got you hooked on their drums, and now XLN Audio are pushing pianos AK has no built-in library of style-based phrases, licks, loops or other automated musical assistance — it’s all down to you and your fingers. For this initial release, three instruments are available: Note that the AK player itself is freely downloadable, it’s the instruments that you have to pay for. So is Addictive Keys just another piano sample library, adding to the terabytes of existing sampled pianos languishing on the world’s hard drives, or does it have something unique to offer?

Xln Audio Mark One

The Instruments The Gallery, with links to each instrument’s Explore pages. It’s not unusual for sampled pianos to offer different mic perspectives, typically in close, mid and far positions. Since using all the mics simultaneously would be needless overkill, taxing your computer severely and causing the Dowager Lady Grantham to raise an eyebrow in withering disdain, AK allows for up to three perspectives to be loaded at one time.

See ‘Microphone Perspectives’ box for more details. Four stereo pairs cover close, mid and ambient positions, with two mono mics to capture side and body tones. The natural recorded tuning is just imperfect enough to impart life and movement, and, while it’s perhaps not Deutsche Grammophon perfection, the overall effect is pleasing.

There’s plenty of body and sustain, so you don’t feel compelled to add compression to bolster it, although that option is open to you! An impressively wide range of tones is possible simply by careful mixing and matching of the mics, even before adding any other processing. Not so in this case: Low-end tuning and clarity can often be an issue with upright pianos, but here everything remains focused, right down to the low A.

Personal taste notwithstanding, there are some consistency issues here. Velocity switching between layers is often not only painfully obvious, but the tone across the keyboard — particularly in the medium velocity range — varies dramatically.

The all-important mid-range from C 3 C3 being middle C to C4 and the F 2 to A 2 cluster are distinctly muted, with very little timbral variation, lending an excessively spongy feel, while certain notes C3, B2, F2, E2, D 2, D2, B1 stick out like sore thumbs, even at moderately low velocities.

These problems could be attributed to the way this piano was set up; the spongy notes suggest that the tines are too far from the pickups; the tines may also need to be vertically re-aligned to match the harmonic content of the stronger notes. User Interface The Settings page, for per-session preferences such as tuning, temperament and velocity response.

The first of these is the Gallery, from where instruments are selected. In either Gallery view, each instrument has three thumbnail icons that take you to one of three Explore pages. Producer, As Recorded and Selections. Four macro controls offer further tonal variations: The presets in the As Recorded category, as its title suggests, are the natural, unadulterated recordings without any processing or effects — the presets are based solely on different mic balances and configurations.

Before we move on to AK’s editing functions, it’s worth stopping by at the Session Settings page, accessed via the cog icon at the top right of the screen. These program preferences can be tweaked and saved as your startup settings; additionally, any temporary, unsaved changes will also be saved along with your DAW project, and restored on relaunch. The eye-catching tuning and keyboard display occupying half the screen suggests the ability to tune individual notes, as implemented in Pianoteq Pro and Roland’s V-Piano.

Stretch tuning can also be applied to all temperaments except ‘As Recorded’. Both the upper and lower velocity response range and the velocity curve are adjustable, the latter all the way from mega-light through to mega-hard, so just about any master keyboard or playing strength should be catered for.

The X-Mod section relates to AK’s MIDI controllable parameters, which we’ll touch on later; its three possible modulation sources are mod wheel, aftertouch and one assignable controller of choice. The Edit page is your virtual toolbox, and is divided into three sections. The upper section governs everything to do with sample playback, beginning at the top left with an instrument selection box. The parameters on offer depend on the currently loaded instrument.

The Sustain box has two controls: Body adjusts the amount of sympathetic resonance when the sustain pedal is pressed, Noise alters the amount of string resonance under the same conditions. The Edit page: The Pitch, Filter and Volume tabs take us into synthesis territory.

On the Pitch tab are octave-shift buttons, vibrato rate and depth knobs, and an optional pitch envelope. For those who do like their pianos poorly tuned, the Dissonance control adds random tuning chaos, ranging from subtle to ‘binge drinking session’ levels.

The most interesting parameter is Sample Shift. This shifts the sample mapping by up to 12 semitones up or down, while simultaneously transposing in the opposite direction. Powerful stuff indeed. The Filter tab offers tools familiar to any synthesist: All AK’s envelope slopes benefit from adjustable curves, so you can really tailor them into shape. Its release stage is only active if the release samples if present are deactivated.

The lower area of the Edit page is the mixing section, where the mic signals, effects returns and Master output channel are balanced, panned, solo’ed and muted. However, all six channel levels can be automated, but by using automation control in your DAW. The panning controls also allow for the stereo width to be narrowed, and even inverted if you want. Each mic channel has effect sends to FX1 and FX2. There is one snag, though: There are, of course, uses for this behaviour, but not all of the time!

Following on are four switchable modules. Its level is adjustable between dB and dB, with decay more correctly, the release time ranging from zero to 20 seconds. But Wait, There’s More!

Certain modules, such as filter cutoff, and selected effects parameters, have small knobs adjacent to the main controls. These govern the amount of modulation applied by the controllers for example, the mod wheel specified on the Setup page. The modulation range of each X-Mod parameter is set by click-dragging up or down on the knob. Moments of divine inspiration often come when you’re doodling away.

You can capture these immediately with AK, thanks to its Memo feature: This idea is also extended to the preset browser: They play back short preview phrases, and you can do the same for your own presets.

The idea is that all of your saved presets and Memos are instantly uploaded to your XLN account, so not only are they backed up, but you can sync them with any other computer that’s running AK while logged into your account.

You can even create unique hyperlinks to presets and share them with friends and colleagues. Conclusion The cynical might be quick to consign Addictive Keys to Room as just another sampled piano.

However, spending some time exploring its features reveals just how malleable it is. I’m not quite so keen on the Mark One, but, as they say, one man’s meat Addictive guitars, basses, washboard, spoons More than almost anything else, opinions on pianos are entirely subjective, depending entirely on personal taste. Modartt’s Pianoteq 4 probably comes closest in concept to Addictive Keys, but it’s physically modelled, not sampled.

Apart from Pianoteq, none offer anything similar to the extensive microphone options of AK. It’s out of necessity rather than choice, as an increasing number of software companies are making their products downloadable only. Increasingly, download and authorisation can only be done on the computer on which it will be installed. To enable the download and installation process, an Online Installer application must be downloaded from the XLN web site.

Click on the Install link for each one, and the downloading and installation is all handled automatically by the Online Installer. However, XLN are working on an update to the Installer that allows users to install to specific locations, or move existing installations to another location.

Addictive Keys runs in both plug-in and stand-alone versions. Minimum system requirements are quoted as follows: Internet connection.

Shop with confidence

The Addictive Keys virtual instrument from XLN Audio is included for free with all Focusrite such as Modern Upright, Studio Grand, Electric Grand or Mark One. Addictive Keys: Mark One from XLN Audio is a virtual instrument based on a Fender Rhodes Mk. 1 electric piano, played through a vintage tube combo amp and. Addictive Keys Mark One | Addictive Keys Engine and Mark One Stage Piano | EN.

Addictive Keys Mark one

The Addictive Keys: This king of electric pianos is played through a vintage tube combo amp and captured by rare vintage mics for a sublime sound. The tone can go from a smooth enthralling caress to a searing, crunchy sound that cuts through the densest mix. XLN Audio does not allow returns on their software products. No box or shipment.

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Users can see paintings quicker, smarter, and safer. Assuming you needed to transfer a document to a selected vicinity. And you stumble upon the hassle of a too big file; you can compress it.

WATCH: XLN Audio Addictive Keys

Shop for the XLN Audio Addictive Keys: Mark One Software Download and receive free shipping on your order and the guaranteed lowest price. Pick from Modern Upright, Studio Grand, Electric Grand or Mark One. XLN Audio is a Swedish software company that makes award-winning virtual instruments. XLN Audio addictive keys mark one de beroemde fender rhodes.

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Xln Audio Mark One

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