Problem with Linplug RMV (x64) – Cockos Incorporated Forums
Aug 1, Over the years, software drum machines have evolved into extremely sophisticated instruments. The art of software drumming has brought about new ways to deal with sample data, including slicing entire rhythm performances to help adapt them to changes in tempo, feel and even meter. There are plenty of software drum machines, libraries and groove-creation programs available. But this time, we’ll focus on five: FXpansion Guru 1.
Review: LinPlug RMV
Aug 1, Over the years, software drum machines have evolved into extremely sophisticated instruments. The art of software drumming has brought about new ways to deal with sample data, including slicing entire rhythm performances to help adapt them to changes in tempo, feel and even meter.
There are plenty of software drum machines, libraries and groove-creation programs available. But this time, we’ll focus on five: FXpansion Guru 1. The selected instruments provide good operational contrast, so it’s more fruitful to give an overview of their distinctive qualities rather than full reviews or shoot-outs.
We’ll look at our lineup from the perspective of user interface, workflow, sounds and any special features. You click on the drum machine-style pads while recording to enter data.
You can also sequence parts from the QWERTY keyboard or by clicking in the pattern grid or — most fun of all — by playing from a controller. However, Guru has features that only a software instrument can offer, lurking only a click or two away. One of FXpansion Guru”s several Graph windows. For illustrative purposes, I”ve drawn a slightly exaggerated line above and below the perfectly quantized placement of hi-hat notes in the Shift graph.
Pull up to rush, down to lag. Running from left to right are buttons for the pattern-editing section, a Graph section hosting various DSP functions, a sample editor and a mixer — all framed by a generous, visually elegant central display.
The Graph windows provide unique plots of the data for editing. For example, the Shift window shows each event’s deviation above and below a horizontal line representing a spot-on note placement. Pull upward and you’re rushing; drag down and you’re lagging see Fig. Users can easily induce humanizing and minor variations, and a similar graph handles velocity. Repeat graphs allow painting anything from stutters to granular, buzzing tones see Web Clip 1.
All editing — including DSP — happens in real time; it’s always a plus to make major timbral and temporal adjustments in an active, musical context. The familiar, drum machine-like aspect of Guru’s basic workflow invites immediacy and ease of use. However, creating a rhythm track in Guru is a multidimensional process. Each of the 16 pads can hold up to eight layers, which can include sequenced drum patterns or sliced audio loops. Guru has eight individual Engines with 16 pads in each.
You can drop files directly from the Finder onto the pads or use the browser on the instrument’s left-hand side to load patterns, full kits, loops or individual samples. Guru’s playback of time-sliced grooves is vastly improved, now providing a significantly expanded library of loops, kits and hits, with many from well-known programmers. In addition to standard acoustic and drum machine fare, loops and kits include a generous assortment of unique ethnic, glitchy and circuit-bent sounds.
There’s plenty of room for personalizing with Guru. In addition to importing your own samples, Guru offers a hefty array of effects, including bit crushers, distortion, delays, filters and more.
Linplug RMV 5. Due to RMV’s complexity, navigation can be counterintuitive at times. The few extra steps proved tedious and slowed down the process of assembling a track. On the other hand, the Loop window is a model of smooth workflow, with a generous waveform display and an editable overview of loop slices just below.
RMV is strictly a plug-in with no built-in sequencing. Still, it is considerably more than a passive sound source. You arrange grooves by dragging them to your host’s MIDI tracks. And to keep its enormous library of kits, hits, loops and patterns orderly, the RMV Browser hosts a sophisticated search engine. For instance, it’s easy to set searches for loops by the number of bars, bit depth and original tempo; patterns by style; or drum kits by sampled or synthesized engines.
The top three knobs control the space between each clap, the release time and the number of claps. At the bottom-right of the left panel is the Varizer, which helps humanize the sound”s playback. Twelve distinct, independent synth engines called Modules focus on specific percussive sounds. The modules are easy to program and their simple interfaces invite experimentation.
The Clap module is a piece of work, with controls for dialing in the flamming and number of claps see Fig. Another module, Plop, features a Drive control that produced plenty of metallic partials for convincing cowbells and agogos. None of the modules will convince you that you are listening to an acoustic kit unless you hail from another planet, but overall they sound great and are a welcome alternative to the usual TR or fare see Web Clip 2a.
Each of RMV’s pads has a Varizer that adds controllable amounts of randomness to the kit piece’s dynamics and frequency content. The Exactness knob is less specific, introducing random changes to different voicing parameters on playback. Both work on synthesized and sampled sounds subtly enough to animate them naturally, while providing a nice balance between consistency and randomized overkill see Web Clip 2b.
The RMV user interface may seem busier and a little more daunting than the others; however, I was drawn in by its powerful real-time control and imaginative sound design capabilities. Most of the editing and information appears at the top-center window; a click of a single button and you can edit patterns, edit a pad’s waveform or synth engine, or set up the pad’s effects, work the built-in mixer, set up Scenes and arrange the song form.
You load patterns, kits and loops from the browser at the instrument’s right, record with a MIDI controller or simply click in the pattern grid. You just drop the scene from the drum pad into the Song window. Those familiar with MOTU Digital Performer’s concept of Chunks will appreciate BPM’s Song window, where you can drag, drop and align blocks called Scenes basically, an aggregation of loops, patterns and sequences in a timeline to arrange the song from beginning to end see Fig.
As a true sampling instrument, BPM lets you sample external sound sources directly onto pads and resample BPM’s output or any audio track issuing from the host program. Similarly, dragging and dropping of audio files onto pads from the computer is as easy as it sounds. Celebrate Diversity BPM kits range from spiky, harsh and metallic to acoustic, warm and mellow, and the instrument supports unlimited layering of samples per pad.
You can include synth-derived sounds with samples in the layers. A set of Racks plays loops and holds a useful library of instruments — such as bass, piano and synth — and their associated piano-roll editors. It offers an analog-modeling drum synthesizer rather than RMV’s dedicated synths for specific kit pieces. There are separate OSC and Noise sections, and with the effects rack for each pad there are plenty of tools for sound mangling.
In addition to convolution reverb, effects include a wide variety of delays, dynamic processors, distortion, modulation and filter effects, ring modulation, sample freeze, etc.
The effect is subtle, but adds a modicum of warmth. More than construction kits of preset rhythms are part of the 15GB library — all organized by name within each library category and ready for easy use or tweaking.
Spectrasonics Stylus RMX 1. Best of all, upgrades have been free since the instrument was released. Stylus RMX offers an ingeniously malleable, multitimbral loop-slice playback engine, plus drum kits made up of sounds in the loop library.
You jump to any of several editing pages with a click of a button while playback and patch-selection controls remain in place. Editing pages include access to synthesis parameters, effects, the Chaos Designer, the mixer and Time Designer. Undoubtedly its most significant new feature, Time Designer provides plenty of tools to sculpt and adapt rhythms in just a few clicks.
For starters, the top-left pull-down menu offers preset examples; you can use these to get the hang of editing ideas or just tweak Time Designer parameters to get what you need. When done, you can save edits from the same menu.
From a pull-down menu in the center of the instrument, you can select a rhythmic subdivision of slices that are graphically represented by a grid at the top-center of the window.
The selected subdivided events appear below the original grid. Similarly, changes made that affect the timing of the selected events alter the placement of the bottom grid events to the left or right. For example, selecting a laid-back groove shifts the grid to the right of the original position; rushed events will shift to the left.
The degree to which the timing is altered can be done using a horizontal Strength slider. I loved the Natural button, which leaves slices other than selected values untouched. For instance, rolls, grace notes and busier embellishments falling outside of a 16th-note groove remain untouched.
Choices for Groove Lock are well-thought-out: Grooves to any other part in a multi can be locked, which is very handy for making disparate grooves fall in step. One knob can adjust swing to an existing feel, and a Simplify knob thins out events should you prefer a sparser performance. The Pattern Modify section offers 14 possible meters, with the groove instantly conforming to your choice. The track adds the meter to the MIDI file name so it’s easy to identify changes in the track.
And you are not restricted to existing grooves: It would be incredibly tedious to change parameters on an entire multi to match a single groove. The good news is the new Global button, by which all parts will fall in step rhythmically and metrically see Web Clip 4.
Omnivorous FIG. Users of Stylus and Spectrasonics Omnisphere have a particularly cool feature in store: Both instruments accept MIDI files to shape grooves.
Simply drag and drop a MIDI file from Stylus into Omnisphere’s Groove Lock window in the arpeggiator section, and the arpeggiator assumes the same feel and meter see Fig. After exporting a track to Omnisphere, you can adjust either instrument’s strength slider if a slightly looser feel is desired. I had great fun trying out my library of converted Rex-format files in Stylus and then importing them into Omnisphere.
It’s important to emphasize that Stylus accomplishes its tasks while retaining a high degree of musicality. I don’t think I’ve had more fun making serious music with a software program. It would be great to have high-ticket studio pros with equally estimable drum kits and studio space ready for your next musical endeavor.
DrumCore from Submersible Music might be the answer, with recorded grooves played by the finest drummers, plus sampled versions of their drum kits. You can trigger the kits with MIDI file captures of the artist’s performances or create your own grooves. All of this is coupled with one of the most intuitive user interfaces I’ve had the pleasure to breeze through. DrumCore now comprises a plug-in and DrumCore Toolkit, a small app that lets you audition and manage the program’s content.
A powerful drum sampler/synth that needs a little refining
The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well. LinPlug recently released RMV, the long awaited update to their drum machine instrument. The RMV combines analog-style percussion. LinPlug has released a Mac version of RMV Drum Addiction, the drum synth, sampler and loop slicer plug-in previously available for Windows.
Sticking With Software
The instrument combines all of the features found on the LinPlug RM IV with several new and innovative features that represent a substantial step forward. Percussion Synthesis modules — a universal drum synthesizer and various modules which use a unique synthesis algorithm to generate sound kick, snare, tom, etc. Sampler module — loads up to 30 samples into an individual pad. Loop module — loads audio loops and samples into an individual pad.
Linplug RMV 5.0.4
Shares Our Verdict RMV is undeniably powerful, but with a bit more polish, it could yet be the dream drum machine that we hoped for. Pros Insanely powerful concept.
WATCH: Sticking With Software – EMusician
Linplug has released version of their Drum VSTi RMV. RMV Drum Addiction improvements available for both Mac and PC: – fixed multi. LinPlug RMV Manual – Free ebook download as PDF File .pdf), Text File . txt) or read book online for free. LinPlug RMV Manual English. RMV is a Drum Synthesizer & Sampler, Loop Slicer and Librarian. It includes more than 10, sampled and synthesized drum sounds, 2, MIDI grooves, 1, Loops as well as a comprehensive page reference manual (PDF) in English, French and Italian. Pads can hold either a.